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Lucia Cossu vocal technique and breath expert

Lucia Cossu vocal technique and breath expert

Italian belcanto technique, Cossu method.

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My students’ Recital 4th part

on August 19, 2016March 24, 2018 By Lucia Cossu

The closing songs of the recital: Rita Negrini sings Pink’s Who knew and Camilla Calling you from the movie Bagdad Cafè. Enjoy!

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Published by Lucia Cossu

Voice teacher, Italian bel canto technique.
www.luciacossu.com

Posted Inmy students
Taggedmystudents, popsingers, ritanegrini, voiceteacher

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My students and artists

My artists, the fantastic Eleonora Bianchini. So honoured to be her vocal reference.

https://youtu.be/_lWHPks3xSU

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👆link to the all article in bio 👆👆✨ Last year The Guardian published this article  about the always more actual question of how to make voices last and careers last and why they used to be longer and now not anymore. It is a question that had become without that I was searching for it also central in my work of vocal coach and voice teacher, with pretty constant and reliable results. I have some answers in common with what said in the article, but I do not think they are the complete answer even if  I come from being an Italian belcanto technique trained soloist. The Italian belcanto technique, the always well reknowned, and worth of all the appreciation, technique is what regularly comes back central and fundamental when we want to do something really balanced and with most of the physiological answers about voices. David Jones since some decades now in Usa uses it in a different style (the swedish way  with more weight and back appoggio) that the one was used at the start of XXth century in Italy, my great master Giannella Borelli teached another version more adapted to the second half of the century. I mostly agree that to refer again Italian belcanto technique can be quite a good thing but I do not think that in those terms we will really give a complete and proper answer to those singers losing their voices. And I will try to explain a bit why I say this.
Italian belcanto technique is a precise way of working on voice and it is a great way of putting voice work on the body and not on the chords creating a connection of the two opposite forces that work on breathing. In fact it is a way to find a balance in those two forces and to develop in a pretty safe way these forces to produce sound in all ages of life. Differences in style (David Jones' version in the last decades in NY, or Lilli Lehmann's or Giannella Borelli or Matilde Marchesi's or Manuel Garcia's or the Carbone way or the ancient Tosi or more modern Sergio Catoni) do not change the opposite connection but they give a prevalence of one or of the other force, so changing the kind of perception about the breath and voice production, and also the reactivity and weight of voice. [...]
https://youtu.be/RBO_91SX0iM

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