Singer since very young, it is twelve months she studies with me. You will hear that she is quite in order but there is a huge difference in bewteen the Dianne Reeves and Alicia Keys’s songs and Withney Houston’s one: this is the diaphragm connection that I long looked for her, not perfect yet in all the passages but connected and so it will be possible to train it and have those passages perfects just by using it and remaining connected. Enjoy!
Yesterday I wrote about what I choose as order of working for the sound today (I slightly made another kind of few years ago, according to differences in contemporary requests and the sense of sound that changes adapting to more subtle things then just taste).
Well, sometimes it is impossible for some to simply use some sustain in a form that will create by itself enough copertura not to strain the vocal chords while developing it. So? So I invented some exercises having an effect on the muscular chain related to copertura so to unblock this important issue. Today or tomorrow I will do a tutorial about those exercises.
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Here the tutorial with some exercises https://youtu.be/w_jcr1tVkuY
One of the great questions this. One of the thing I find the most misunderstood is that without sufficient support it will be useless to work on copertura and appoggio. With sustain intending not just a force created by transversus abdominis and diaphragm but jalso the simple posture in tonic relaxed attitude, ready to sing. I generally find too short and need to be developed to work properly with appoggio and copertura. So I will say before sustain, when there is enough to have the correct larynx position we start working with copertura and appoggio with exercises involving also sustain (so to be sure not to lack of it totally).
What it is the mood after the lesson 8th live on streaming, what it is after three weeks of this thing.