She did not want to record this. We discussed a lot, her saying it did not represent her and that she wanted to to be represented by other songs, without yet realising that if she was pursuing a professional career it would be normal to sing some things not choosen by her. This scare of some interpreter is valid when they cannot choose nothing, but to have to sing a part of repertoire not choosen refine the interpreter personality and skills to be himself going more in the comprehension and depth of what he is, and also discover sides and shades not suspected. Some says it is the better song of her demo, not sure about this for me that I love her peaks in intensity and energy but it is just subjective this. Enjoy!
When my artists send to me something to hear in which they push intentions and do not find it in the voice. Very often they still think doing something on the moment to produce the note, they still think singing is when heard. Singing is doing some things with your body and your imagination and emotions put into the body, the sound heard will be just in certain moments as a part made heard of this doing and not a pressing all together just in the moment you want to produce a sound. You produce a sound and a phrase and a movement inside and you just make it heard on the outside: sometimes entirely, often just fragments of that.