Month: January 2018

Who am I

2012-09-28-13-15-24

I am someone who can solve the reason why some people can’t be effective in a vocal technique or style, or when a professional can’t have the full or correct use of its instrument even with excellent teachers or coaches. Being frustrated by seeing some structural issues that made some singers think about them and never relax into a deeper dialog with music I tried to found ways to solve them forever. So I invented some physical exercises and discovered in what they were useful to a wider range of persons, separating the biomechanics in common from the individual precious way of arranging them. I found relations voice-muscular chains in a way not imagined by vocal field, in the parallel line of functional movement and joint by joint approach, and now I am pioneering the bridge from studies on biomechanics and movement science. It is a very specific work, nothing to do with others body practises for singers, useful but less precise for a vocal purpose.  To be sure that the results with my students were really appropriate I put some people with and without vocal problems under medical control before and after our work together and  it was confirmed the solution of their vocal problems in very short time, while a medical prevision of no improvement possible (https://luciacossu.com/cossu-method-program/ ), those with no issues had confirmed an improvement in voice and posture.
That it is: a way to bring to voice (and voice styles and technique or even just natural voice) those who couldn’t before and to refine and find tools and expression for the advanced and the professionals.
It is a sort of way to put everybody to the starting positive point.

by Lucia Cossu

Fundamentals Singing professionally

Professional singing is not natural and it is a wearing activity, that’s why you need a technique. A technique, a good technique, will make yourself and nobody notice those two things and that’s why it is so important for singers to build a proper technique instrument, and for us the professional of voice to ajourn our tools and adjust and evolve them with the evolution of music.

by Lucia Cossu

Fundamentals Registers and passaggio

In vocal technique to solve a technical point often means to make in the perception of the singer the disappearing of the question. This is the case for the passaggi, or vocal bridges. When truly solved the mechanism to adapt gesture and postures and muscles work and copertura will make the singer never perceive that such passaggio do exist.

* This is one of the typical examples of how a technical level will give opposite perceptions, even if from a physiological level the question is the same. In a technical solved level the singer will say exactly the opposite of the not solved singer about any question.

by Lucia Cossu