One of my professional clients. I work for her voice sustainability/health for the singer’s career demands, the training, conditioning and some of my technical tips she can grant some advantages from. . When training means health means resilience means repertoire effectiveness.
…and the sky is just the starting point . #cossumethod #isometric #singingteacher #voiceteachers #singingteachers #vocaltechnique #vocalcoaching
00:00 My considerations on voice and development. Our path in those 10 months of lessons; listen her singing: 13:57 six months lessons and working on her first Wagner 14:58 eight months lessons Villanelle Berlioz, 16:19 ten months lessons third lecture of Tu che di gel sei cinta Puccini Turandot; pieces of lessons: 39:22 17 February 2024 working on Villanelle Les nuitts d’été Berlioz, 50:15 Oh quanta volte Giulietta Capuleti e Montecchi Bellini, 51:01 02 March 2024 tongue work 54:50 vocalisation 01:03:06 28 April 2024 Vocalisation, 01:13:40 Wishing you were somehow here again Phantom of the Opera, 01:19:27 So in love Kiss me Kate, 01:22:07 10 May 2024 second lecture of Tu she di gel sei cinta Turandot, 01:24:11 Briefing anatomical 01:30:00 vocalisation 01:51:52 Panofka Op. 85, 02:09:04 working on Tu she di gel sei cinta Turandot, Working on Summertime Porgy & Bess 02:19:50
Well, she was a pretty different voice: it has taken the usual nine months to really start hearing what it looks like her voice is. It is the timing of the first smooth tissues adaptations, now without rushing have to maintain the excellent practice to maintain the complete development that in literature is commonly said in the 2-3 years and in my practice I find the same.
Now while she is in more satisfying repertoire we are working on all the management on all the tessitura, the higher notes will just grow physiological, have now to control not to push them even if for a competition… longer horizons are more important. . cossumethod is the cross bridging of advanced functional biomechanics finding into the context of voice and their specific relevance to serve voice production and artistic voice, both spontaneous and technical.
.
Lucia Cossu voiceteacher Italian/French voice teacher for professionals and future pro singers, innovator in vocal technique specialised in training and personalised solutions, voice development and voice preparation for touring/recording, young voices development without forcing the delicate and respectful balance of young talents. She has solved strain/issues and limitations of singers unsolvable by training or medical therapies. Those skills have 15 years of successful career and voice transformations in all styles; hospitals have sent her some desperate cases, all successfully.
Her innovative perspective has been recently presented at the prestigious Pan-European Voice Conference PEVoC14 2022 in one paper and two workshops and three Posters at The Voice Foundation 52nd Annual Symposium May 31- June 4 2023 in Philadelphia, she will be again at both in 2024 with two oral presentations, two workshops and two more Posters. She calls this perspective the (R)Evolution of voice model, or if you prefer cossumethod in the actual practice.
She comes from an international soloist career in classical music that a malpractice during an abdominal surgery has interrupted (the surgeon has been convicted).
Courses and workshops are available online from everywhere and in person can be arranged. .
This is something we can do, often helps tremendously and as singers we have to learn the correct how under a good guide, or at least having someone as me guiding when really the situation is an emergency. She had to perform and did not wanted to strain her voice. So we made two short online sessions just to see if I could help, and often as well said by the great singer and pedagogue Lilli Lehmann we can solve situations we were not sure could be solved by attentive vocalisations. In here I guide her to find the way of bringing some blood back into the tissues and the fascial correct dose of movement to help the tissues to heal dosing well the quantity of effort so not to strain at all but just help the healing. And she could perform pretty well, with no strain and the voice got back plenty and healed in a week for our lesson and no strain from the performances. This is something we do not wait a cold to do, but as we as the putting the instrument in good shape from the morning; it is part of the taking care and maintenance of our instrument. #vocaltechnique #vocalisations #operavoice #operasingers #operatraining #sopranotraining #singingteacher #belcanto #italianbelcanto #belcantolessons #olditalianbelcanto #voiceteacher #voiceteachers #singingteachers #belcantoteacher #operasingerteacher #classicalsingers #oldschoolsinging #oldschoolsingingtechnique
Why to Avatar protect the privacy? Here you have my insight in the topic, from my specific professional perspective.
Working with young talent from Liège, being his technical reference for preparing the first Knabe in the Zauberflöte he has to perform at the Opéra Royal de Wallonie. #voiceteacher #belcanto #belcantoforyoung #youngsingers #talents #singinglessons #singingteacher #operaroyaldewallonie #liège #walloniemabelle #diezauberflöte #dreiknaben #mozartopera
Italian Pop Teen voice . A 16 years old singer covering Almeno tu nell’universo in a SkyTV show, she won competitions, sung in local tv shows, opening concerts. We worked also international repertoire but her focus was mostly in the Italian one. .
A little talk with the great italian singer Eleonora Bianchini and why a professional like her, ranked 4th italian jazz singer, a stable duo with Enzo Pietropaoli, great career, winner of a merit scholarship at Berklee College, came having lessons with me. What did she found in our work, why it was important to her. Enjoy!
She did not want to record this. We discussed a lot, her saying it did not represent her and that she wanted to to be represented by other songs, without yet realising that if she was pursuing a professional career it would be normal to sing some things not choosen by her. This scare of some interpreter is valid when they cannot choose nothing, but to have to sing a part of repertoire not choosen refine the interpreter personality and skills to be himself going more in the comprehension and depth of what he is, and also discover sides and shades not suspected. The result is pretty good and lol it is the song more played in her playlist. Enjoy!
She is my students since a couple of years now. She arrived with a technical problem that made here not being well in the pitch and a too much air in the sound. We worked just technically for 18 month and then I could convince her, that she always refused in the past to sing in a class Recital. This is her first demo recorded in three hours after the summer pause. She is now involved in composing her first songs, looking for a band, to imagine projects and study some repertoire. Enjoy!
Camilla is 17 years old and we started our lessons on January 2016. I am her very first voice teacher. This is her in the recital of 14th July 2016: Dolly Parton’s Jolene , Burt Bacharach’s I say a little prayer for you and Walk on by, Calling you from the movie Bagdad Café. Enjoy.
A typical exemple of a long work. Here 16, she has studied with me for 6 years. This was in 2015. Great personality, more jazzy than what she thinks of herself. Here some covers and one of her original songs. Enjoy.
Lucia Cossu vocal technique and breath expert 