You find me as a presenter at both TVF Symposium in Philadelphia next June and in EU at next @pevoc15 .
Delighted to see accepted all the three abstracts at the next PEVoC 15th 2024. One oral presentation and two workshops on bridging biomechanics of general musculoskeletal system with voice production and vocal practices. 12 times international presenter at the top Voice Conferences in 24 months as original practice and the general rationale related, the results I have since 15 years start being a less just me and my students thing; profoundly grateful and satisfied.
This is something we can do, often helps tremendously and as singers we have to learn the correct how under a good guide, or at least having someone as me guiding when really the situation is an emergency. She had to perform and did not wanted to strain her voice. So we made two short online sessions just to see if I could help, and often as well said by the great singer and pedagogue Lilli Lehmann we can solve situations we were not sure could be solved by attentive vocalisations. In here I guide her to find the way of bringing some blood back into the tissues and the fascial correct dose of movement to help the tissues to heal dosing well the quantity of effort so not to strain at all but just help the healing. And she could perform pretty well, with no strain and the voice got back plenty and healed in a week for our lesson and no strain from the performances. This is something we do not wait a cold to do, but as we as the putting the instrument in good shape from the morning; it is part of the taking care and maintenance of our instrument. #vocaltechnique #vocalisations #operavoice #operasingers #operatraining #sopranotraining #singingteacher #belcanto #italianbelcanto #belcantolessons #olditalianbelcanto #voiceteacher #voiceteachers #singingteachers #belcantoteacher #operasingerteacher #classicalsingers #oldschoolsinging #oldschoolsingingtechnique
Why to Avatar protect the privacy? Here you have my insight in the topic, from my specific professional perspective.
Working with young talent from Liège, being his technical reference for preparing the first Knabe in the Zauberflöte he has to perform at the Opéra Royal de Wallonie. #voiceteacher #belcanto #belcantoforyoung #youngsingers #talents #singinglessons #singingteacher #operaroyaldewallonie #liège #walloniemabelle #diezauberflöte #dreiknaben #mozartopera
FUTURE IS HERE. Future innovative super tool is optimising our yet existing biology; we are the innovative super technology and of yet now #ExploringPlusLearning its possibilities and resources. I am in this for voices, and part of the future is here. When you ask me if it is singing lessons or voice training or breath lessons or what that I do. I do what will exist as a voice specialist of the instrument and common/specific training strategies/programs for how biomechanics is. . . .
Italian/French born 1971, voice teacher for professionals and future pro singers, innovator in vocal technique specialised in training and personalised solutions, voice development and voice preparation for touring/recording, young voices development without forcing the delicate and respectful balance of young talents. The innovative approach has solved strain/issues and limitations of singers unsolvable by training or medical therapies. Those skills have 15 years of successful career and voice transformations in all styles; hospitals have sent her some desperate cases, all successfully. The perspective has been recently presented at the prestigious Pan-European Voice Conference PEVoC14 in one paper and two workshops, she will present three abstracts at The Voice Foundation 52nd Annual Symposium May 31- June 4 2023 in Philadelphia.
Singer since very young, it is twelve months she studies with me. You will hear that she is quite in order but there is a huge difference in bewteen the Dianne Reeves and Alicia Keys’s songs and Withney Houston’s one: this is the diaphragm connection that I long looked for her, not perfect yet in all the passages but connected and so it will be possible to train it and have those passages perfects just by using it and remaining connected. Enjoy!
I am someone who can solve the reason why some people can’t be effective in a vocal technique or style, or when a professional can’t have the full or correct use of its instrument even with excellent teachers or coaches. Being frustrated by seeing some structural issues that made some singers think about them and never relax into a deeper dialog with music I tried to found ways to solve them forever. So I invented some physical exercises and discovered in what they were useful to a wider range of persons, separating the biomechanics in common from the individual precious way of arranging them. I found relations voice-muscular chains in a way not imagined by vocal field, in the parallel line of functional movement and joint by joint approach, and now I am pioneering the bridge from studies on biomechanics and movement science. It is a very specific work, nothing to do with others body practises for singers, useful but less precise for a vocal purpose. To be sure that the results with my students were really appropriate I put some people with and without vocal problems under medical control before and after our work together and it was confirmed the solution of their vocal problems in very short time, while a medical prevision of no improvement possible (https://luciacossu.com/cossu-method-program/ ), those with no issues had confirmed an improvement in voice and posture. That it is: a way to bring to voice (and voice styles and technique or even just natural voice) those who couldn’t before and to refine and find tools and expression for the advanced and the professionals. It is a sort of way to put everybody to the starting positive point.
