00:00 My considerations on voice and development. Our path in those 10 months of lessons; listen her singing: 13:57 six months lessons and working on her first Wagner 14:58 eight months lessons Villanelle Berlioz, 16:19 ten months lessons third lecture of Tu che di gel sei cinta Puccini Turandot; pieces of lessons: 39:22 17 February 2024 working on Villanelle Les nuitts d’été Berlioz, 50:15 Oh quanta volte Giulietta Capuleti e Montecchi Bellini, 51:01 02 March 2024 tongue work 54:50 vocalisation 01:03:06 28 April 2024 Vocalisation, 01:13:40 Wishing you were somehow here again Phantom of the Opera, 01:19:27 So in love Kiss me Kate, 01:22:07 10 May 2024 second lecture of Tu she di gel sei cinta Turandot, 01:24:11 Briefing anatomical 01:30:00 vocalisation 01:51:52 Panofka Op. 85, 02:09:04 working on Tu she di gel sei cinta Turandot, Working on Summertime Porgy & Bess 02:19:50
Well, she was a pretty different voice: it has taken the usual nine months to really start hearing what it looks like her voice is. It is the timing of the first smooth tissues adaptations, now without rushing have to maintain the excellent practice to maintain the complete development that in literature is commonly said in the 2-3 years and in my practice I find the same.
- Now while she is in more satisfying repertoire we are working on all the management on all the tessitura, the higher notes will just grow physiological, have now to control not to push them even if for a competition… longer horizons are more important.
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cossumethod is the cross bridging of advanced functional biomechanics finding into the context of voice and their specific relevance to serve voice production and artistic voice, both spontaneous and technical.
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Lucia Cossu voiceteacher
Italian/French voice teacher for professionals and future pro singers, innovator in vocal technique specialised in training and personalised solutions, voice development and voice preparation for touring/recording, young voices development without forcing the delicate and respectful balance of young talents. She has solved strain/issues and limitations of singers unsolvable by training or medical therapies. Those skills have 15 years of successful career and voice transformations in all styles; hospitals have sent her some desperate cases, all successfully.
Her innovative perspective has been recently presented at the prestigious Pan-European Voice Conference PEVoC14 2022 in one paper and two workshops and three Posters at The Voice Foundation 52nd Annual Symposium May 31- June 4 2023 in Philadelphia, she will be again at both in 2024 with two oral presentations, two workshops and two more Posters. She calls this perspective the (R)Evolution of voice model, or if you prefer cossumethod in the actual practice.
She comes from an international soloist career in classical music that a malpractice during an abdominal surgery has interrupted (the surgeon has been convicted).
Courses and workshops are available online from everywhere and in person can be arranged.
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